gordon bennett notes to basquiat

Bloodlines 1993 Its vintage Bennett: taking no prisoners, refusing not to be furious, making viewers confront racism in all its sly expressions. In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. Michel Basquiat and the "Dark" side of Hybridity" by Dick Hebdige, in Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. The price achieved of AUD 4,700 ( 2,835) was within expectations - the estimate range had previously been given by the auction house as AUD 4,000 - 5,000. Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. Galtung (2009) explains in the article Cultural Violence how historical systems of racial oppression exist permanently within contemporary social consciousness. Such is reiterated by the works unfolding lines of text the same but different / different but the same a notion which not only reverberates throughout the entire series, but is similarly reflected in Bennetts knowing relationship to Basquiat and his practice. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Code #:14841 LOCATION: Redfern NSW . revealed. The original image shows explorer Captain James Cook raising the Union Jack flag in 1770, claiming ownership of the entire eastern coast of Australia in the name of the British Crown. Synthetic polymer paint on paper In Gordon Bennett's splendidly savage painting Notes to Basquiat: Perfect teeth 2000, his bright, biting satire sets white teeth against black skin in a retro pop-culture parody; the word 'mono' in the centre of the canvas suggests the dominance of one colour in art and life, as well as implying what we might think of monotones (wherever found) and the assertion of a 'monoculture'. These shapes are coloured red, yellow and black referencing the Aboriginal flag and loss of a culture. 152.0 x 182.5 cm. Special Collections Reading Room - Item/s may be unavailable, Brolgas at twilight, 1999 / Pamela Griffith, [Australian diaries and desk calendars 1999]. material existence, even though we may be separated by cultural context, we give to the different ways we are positioned by, and position ourselves Anchoring the composition is a confronting tortured skeletal figure, that embodies a shared stereotyping of blackness, yet more universally suggests a common humanity that beneath ones skin we are all alike underneath. Probability, Rap and coincidence This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to . I am trying to paint the one painting that will change the world before which even the most rabid racists will fall to their knees of course this is in itself stupid and I am a fool but I think to myself what have I got to lose by trying? That is not my intention, I have had my own experiences of being crowned in Australia, as an Urban Aboriginal artist - underscored as that title is by racism and primitivism - and I do not wear it well . In its wake the pile of rubble grows skyward. Tate, The Museum of Contemporary Art Australia (MCA) and Qantas are partners in an International Joint Acquisition Programme for contemporary Australian art. By quoting from a range of cultures and artistic styles, he questions and undermines colonial history and racist stereotypes. Works | NGV | View Work Bennett makes art that questions accepted versions of history, often taking historical artworks as his starting point. Sutton Galleries, Melbourne . Collection: Bendigo Art Gallery, Gordon Bennett Australia 1955-2014. What I had not realised is that he is also in an intense dialogue with himself and his earlier work. At times it is as though we are looking at the work of more than one artist. Unfinished Business: The Art of Gordon Bennett - QAGOMA Blog body to expose both pain and anguish and a common humanity. Gordon Bennett, Notes to Basquiat: Facial Bones, 1999, acylic on canvas, 51 x 51 cm Courtesy Sherman Galleries, Sydney. In his recent book Rattling Spears: A History of Indigenous Australian Art (2016), art historian Ian McLean argues that anger is the consistent emotion expressed by Bennetts work. I think it seeks to go beyond the words on the paper into a world of metaphor, allegory, images and ideas in order to say something that may not be said with just words.3, 1. Gordon Bennett - Sutton Gallery An Aboriginal man is inserted into the picture whose exploding head is turning into stars. author unknown. Moreover, Bennetts work is aesthetically similar to American artist Jean-Michel Basquiat. some essentialised past, they are subject to the continuous "play" of 03 Jun 2014. Notes to Basquiat - Big Shoes - 2002. Gordon Bennett: Be Polite - Galleries West Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Piet Mondrian, Kazimir Malevich and Vincent Van Gogh. Unfinished Business: The Art of Gordon Bennett - Art Almanac . . His three paintings titled Possession Island are based on a 19th century etching by Samuel Calvert. time, space and death. These works, like Basquiat's, use images of the Bennett died in 2014, aged 58. Please check your requests before visiting. By peeling Gordon Bennett's series Notes to Basquiat is inspired by the work of Jean-Michel Basquiat, the Haitian-American artist with Puerto-Rican heritage who came to prominence in the USA in the 1980s. A humanist at heart, Bennett created works which are grounded in personal experience and an authentic voice. and painterly fields of your work and particularly to the layered lines Gordon Bennett. Gordon Bennett Notes to Basquiat: Modern Art, Sherman Galleries, exh. come from somewhere, have histories, and like everything which is historical, > Notes to Basquiat SAVE ARTWORK FOLLOW ARTIST. At first glance, paintings from the Interior series appear similar to the work of Patrick Caulfield and look like a brightly coloured pull-out from a lifestyle magazine. Forms and styles of representation recur, transmute and metamorphose across his oeuvre in a dizzying fashion. NOTES TO BASQUIAT: MODERNITY, 1999 | Deutscher and Hackett Notes to Basquiat (in the future art will not be boring) The, In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and. That is not my intention, I have had my own experiences of being crowned in Australia, as an 'Urban Aboriginal' artist underscored as that title is by racism and 'primitivism' - and I do not wear it well. Mclean, I. Of the latter four, Bennett is most easily understood as a critical postmodernist. Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals.

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